VOCABULARY / CORE STUDIO I
- Shape- A flat, enclosed area or 3D volume/form
- Format- The first shape we recognize in the composition
- Positive/Negative – The “figure”, or recognizable shape, and its surrounding space, aka the “ground”. They share an equal relationship.
- Figure/Ground Reversal- When both positive and negative shapes command your attention.
- Rectilinear-Shapes made from straight lines and angular corners
- Curvilinear-Shapes dominated by flowing, curved edges
- Geometric –Precise shapes with mathematical sides and consistent curves.
- Organic-Shapes that represent natural forms typically found in nature.
- Overlapping can create the illusion of spatial depth.
- Unity is achieved by using similar shapes
- Variety can be defined as difference and creates a more unique composition
- Composition - Combining multiple parts into a cohesive whole
- Containment -The unifying force created by the edge of a composition
- Grouping - Making order and connections between separate visual elements
- Repetition - Using the same visual element over and over
- Focal Point - Compositional device used to hold viewer’s attention or to direct focus
- Balance -Distribution of weight, physical or visual
- Asymmetry - Does not mirror itself on either side of an axis.
- Symmetrical - Mirrors itself on either side of an axis
- Approximate - Similar imagery appears on either side of an axis
- Radial - Centered focal point and mirrors itself horizontally and vertically
- Line - is the simplest and most versatile of the elements of design. A line can be defined as a “point” in motion, a connection between points, or a series of implied points.
- Orientation - refers to a line’s position (horizontal, vertical, diagonal, etc.)
- Diagonal lines - imply energy and motion while horizontal lines imply stability. Vertical lines can imply directional movement.
- Direction – is the implied movement of a line. Line weight can accentuate direction by suggesting motion.
- Continuity - is often referred to as linear flow. Continuous lines create a strong connection between spaces and create a stronger sense of direction.
- Contour lines - are often used to describe edges of forms.
- Gesture drawing - with lines can develop a composition arrangement that will become the “foundation” upon which the final piece is built.